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Music/Theater Bio

Short Bio (from CCCT In the Heights program)

Armando Fox has been waiting to do this show since he saw it in Broadway previews, and when he heard they needed a Music Director, he thought "I am not throwing away my shot!"  He's amazed at the incredible energy with which this cast has jumped into the production, and is enjoying being back at CCCT after orchestrating OKLAHOMA! way back in 1998 and playing in its pit.  Other recent Music Direction includes Chess (BATCC winner, Music Direction, Ensemble, Entire Production) and Next to Normal (BATCC nominee, Music Direction) at Custom Made Theatre Co., and numerous productions at Altarena Playhouse including Rent, Man of La Mancha, Chicago, Cabaret, and many more, plus original arrangements for Ron Lytle's Oh My Godmother! and The Man Who Saved Christmas.  He reveals his Music Direction secrets at  In his day job, he is an award-winning computer science professor and teacher at UC Berkeley.  Thanks to Tonia as always for her love and support!

Full Bio

Armando Fox is a classically trained (since age 5) pianist who completed pre-conservatory training at the Mannes College of Music, New York (now part of the New School). There he studied piano performance with Michael Boriskin and others, as well as music theory, ear training, ensemble performance, choir, arranging, the whole enchilada. He grew up in New York City and loves the theater; he’s Music Directed about two dozen shows and played in pits for many others. Other theater contributions include original orchestrations for Ron Lytle’s Oh My Godmother! and workshop arrangements for The Man Who Saved Christmas (which were replaced for the CD recording, so the ones on the CD aren’t his work); ambitious reductions (usually to 6 or fewer pieces) of Man of La Mancha, Merrily We Roll Along, Assassins, and others; and additional original arrangements for Cabaret, Assassins, and others. As far as he knows, he’s the author of the best book on music direction written by a computer scientist and the best computer science textbook written by a music director. He also plays actual 80s vintage synthesizers in the 80s cover band Disposable Pop; his previous cover bands, including Spoon and More at Eleven, have been finalists in MIT’s Battle of the Bands, surely a distinction far more prestigious than the Grammy Awards.